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If you are still unsure if your mix is ready for mastering, send it to the mastering engineer and ask their opinion. Any professional engineer will be able to help you catch potential issues in your sound and give you advice on how to address them within your mix to ensure best possible final results for your mastered song.

Alisu is an IDM and dub producer who has been a major proponent of Chile’s underground music scene in the last few years. She uses both analog and digital synths so expect to hear everything from fat Moog thumps to wild FM synthesis sounds. What sets her apart is her creative and mesmerizing use of field recordings. There seems to be an underlying sense of nature interwoven into the very essence of her music. It’s almost impossible to describe but it’s as if she’s trying to pull us into an unknown tropical paradise.

A simple tip for making more engaging tracks is to add or subtract an element every four to eight bars or so. Here are a few variation approaches to try:

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The bass blends well in this mix and grooves solidly throughout the whole song. But one recurring motif that sticks out, perhaps because of the space created by the choppy, Kinks-esque guitar riff, is the simple walk-up to the fifth (an E over the A chord) via the major third and perfect fourth. It happens after the first four chords (which, on their own, actually sound like a rewrite of “You Really Got Me”), and tucks nicely into place as the short D and A guitar chords follow it and carry the end of the measure into the G and C chords of bars 3 and 4. The pattern is repeated over these bars, and basically everywhere else in the song involving the main guitar riff, though East varies it almost every single time with masterful subtlety.

That’s right — we sent an even Better Now, out-of-this-WRLD probe past all the FEFE’s and ZEZE’s that were Meant to Be in the Top 5 of 2018’s Billboard Hot 100 charts, and what we got back was a tally of data and stats Grande enough to satiate all you Nonstop audiophiles’ consonance curiosity. Nice for What? Nice for showing any Childish Young Bunny how to craft a song XXXTensive enough to bang its way into a Top 40 slot, next year and beyond.

Every time the cycle repeats, that low E root is right there to support that downbeat. Notice that it doesn’t have to hit every downbeat of the pattern, but it must hit on that repeated downbeat at the start of the cycle. Funky bass lines emphasize beat one and lay a solid rhythmic foundation.

In case you’re new to Soundfly, every one of our mentored online courses comes with ongoing 1-on-1 guidance and feedback on your work from a professional musician, composer, producer, singing actor, or industry insider working in the field. It’s like having a personal trainer, but for music! As you make your way through the high-quality, in-depth course materials, your Soundfly Mentor will help you work out your musical goals and keep you on pace to reaching them, every step of the way.

This may also include signed letters from employers. For example, my wife was also a 1099 employee at the time, as a nanny. Our lender asked for letters from her bosses stating that she was currently employed and would be for the foreseeable future. Depending on your situation, you many need a letter from your publisher. It just depends on how far down the rabbit hole they want to go.

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And so, with our eleventh edition of the Student Spotlight series, highlighting the brilliant work of Soundfly alumni created in our courses and Headliners Club mentorship sessions, we humbly offer up some new music for your favorite summer playlist.

“I worked with Jeff in earlier sessions of Introduction to the Composer’s Craft and the Headliners Club. He has a beautiful perspective and really seems to look at his music from multiple angles. In addition to writing music, Jeff is a gifted photographer, and that comes through when you listen to his work. In the composition course, we discussed the foundations of writing music — things like form, tonality, etc., and then went on to develop his artistic voice during a follow-up session of the Headliners Club.

Check out Charles’ newly launched sample pack, “The Luv Pack, Vol. 1,” here. Soundfly’s  The Art of Hip-Hop Production also comes with two months of free access to Splice, so don’t miss out on combining the course learning materials, 1-on-1 mentorship with a pro, and access to a ton of crazy cool samples. Preview the course here.

The addition of the F# in the Melodic Minor scale, makes things slightly more complex (if that was even needed at this point!). This time, we would have to work out the names comparing the scales to their most similar mode. For example, there is little point in comparing the fourth mode built on A Melodic Minor scale to an Ionian scale. It is much more similar to a Lydian mode, since it comprises of the note F#. The G# at this point, makes it a C Lydian (Augmented fifth).

This remarkable music video features an exceptionally talented young female dancer named Maddie Ziegler. Her stellar performance is both hypnotic and mesmerizing. (We love escalating dance performances in music videos — we did a whole thing on it.) The song itself conveys Sia’s struggles with alcohol and drug addiction, and Ziegler’s wild dancing is a striking visual depiction of that mixed with the guilt and pain that follows. She violently jumps and throws herself around the empty room with constantly changing expressions of anger, pain, confusion, excitement, and sadness. The room itself is empty and represents a mind that is distressed and sadly neglected.

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