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All of our mentored online courses come with six weeks of 1-on-1 professional support and feedback on your work. It’s like having a personal trainer, but for music! That means you’re not just getting the course content, but a coach who’s invested in your success. With writing-focused courses like The New Songwriter’s Workshop, Unlocking the Emotional Power of Chords, and Songwriting for Producers, there’s nothing you won’t improve after a session with Soundfly!
The points of reference are circled in red in the below image. Look at how the open string (Fret 0) and Fret 12 feature the same notes, but an octave above. The note of A appears three times so we can already see there’s a relationship between Fret 5 on the 6th string, and Fret 12 on the 5th string as well. We’ll explore this further as well.
Since house concerts are, well, in houses, the expectations set at these events are inherently quite different from those at traditional venues. While the practice of audience members getting shmammered at venue shows has become accepted and even expected, the rules are different at house concerts. These concerts are more intimate, more focused on the music — they’re likely to be quieter and the connections between the artist and audience are therefore stronger. House concerts typically won’t feature a loud, drunk, and rowdy crowd, and you won’t need to unstick your shoes from any PBR-soaked floors, either.
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Once you find a routine that works for you, stick to it. Even if something straight up goes against one of the other points in this article, if it works for you, keep using it! You know yourself better than anyone, so always be on the hunt for ways to streamline your own process and customize your workflow to suit your recording needs and priorities.
From a t-shirt and jeans with a stencil type design to full stage costumes, masks, and wigs with branded graphics, here’s why your band’s visuals matter.
But Mitski (she’s much more impressive than Sum 41, not sorry) has a voice and quality in her music that feels super cathartic — it’s like she’s reading from your diary and releasing your demons for you. She’s also Asian-American, and I grew up with zero Asian-American musicians to look up to.
But every once in a while, a new song will transport me to that same place where music has always made me feel at home, and every now and then a new artist will remind me of the artists I used to love. When I’m transported back, it feels like such a simpler, more magical time. But it can also remind me that we’ve changed so much — sometimes for the better — in 2019.
Now for a bit of push-back on the general tone so far. We (and the panelists in the video) have mentioned how technology can create some dangerous grey areas when it comes to education — such as removing the vital social aspects of learning and of music practice in general, and also subjecting education to frameworks often designed by non-musicians or engineers lacking a diversity of musical knowledge, awareness, and respect (and thus unable to build tools that allow for all modes of musical expression).
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It might also help to run your catalog through Royalty Exchange’s Know Your Worth app. This free, no-obligation tool gives songwriters an estimated value of their catalog, or potentially a verified offer from pre-qualified investors. Showing this to a lender provides a real, third-party value for your catalog, and can even be an alternative source of funds if the loan process doesn’t work out.
Again this element can be taken as lightly or seriously as you want — from t-shirts and jeans to tuxedos to fully customized outfits, masks, wigs, props, etc. — but it’s always something you need to be aware of. A small bit of effort, like for example, synchronizing your dress code with the rest of the band, can go a long way.
When we were just getting started, we worked with American artists like the Flashbulb and French hip-hop producer Kacem Wapalek. We also reissued the debut album by French house producer Bob Sinclar, Paradise, released in 1995 on Yellow Productions, and we teamed-up with labels such as Tru Thoughts and Einmusika Recordings.
Modes and Key Signatures have a variety of different characteristics and are great for outside-the-box songwriting. Here’s a cheat sheet to remember them!
Once you’ve got the final vocal take dialed in, it’s time to start cleaning up problem frequencies with subtractive EQ. One of the most common problems is excessive low-end buildup from the proximity effect, which can be often solved with a simple high-pass filter around 100 Hz. There also tends to be some muddiness in the 200-500 Hz range, which may need some trimming.